For 60 years, Sheldon Museum of Art has provided a venue for students, faculty and staff, alumni, and visitors to engage with art and one another. As an academic art museum, Sheldon schedules its exhibitions to coincide with the academic calendar.
Sheldon Museum celebrates early entries into the collection with a selection of historic acquisitions made prior to the opening of the museum’s current building in 1963. More info
Building on the adjoining exhibition Beyond Eve and Mary, this exhibition examines twentieth- and twenty-first-century representations of women in art. More info
Through thematic groupings of artworks, this exhibition examines representations of two biblical figures—Eve and Mary—and asks viewers to consider how multifaceted gender could be in the premodern period. More info
Presenting a snapshot of a point in the evolution of Sheldon’s holdings, X: A Decade of Collecting is a survey of the 1,850 artworks that have entered the collection since 2012. More info
For this iteration of Sheldon Treasures, we highlight the museum’s extensive holdings of American landscape paintings. Hung chronologically from 1826 to 2004, this selection of works shows a gradual transformation in depictions of the outdoors. More info
Sheldon presents recently acquired works by Kelli Connell from her ongoing series Double Life in which an individual model portrays both partners in photographs of a couple. More info
At the intersection of abstraction, allusion, and depiction, the artist and viewer share equally in the creation of a work’s meaning. Storyville presents works from the museum’s collection that vacillate between recognizable subject matter and abstraction, providing various readings of each narrative. More info
Six galleries touching on themes of gender, place, resources, and politics provoke questions about what it means to work. Clocking In presents art that challenges expectations about who engages in particular types of work and what kinds of jobs are valorized. More info
Since the advent of photography, artists have used cameras for more than straightforward documentation. This exhibition surveys the work of twentieth-century lens-based artists whose abstract visual vocabulary encourages the viewer to participate in the creation of meaning. More info
In the 1960s, Richard Diebenkorn began experimenting with printmaking at Crown Point Press, eventually publishing a series of forty-one etchings and drypoints. Displayed in its entirety, the series offers a chance to observe the evolution of a master expanding his craft. More info
