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Exhibition

Clocking In: Visions of Labor

August 16, 2022 through December 22, 2022
  • Image of the piece
    Lucas Foglia, Jesus, Jose, and Luis Harvesting Turnips and Miner's Lettuce, Heirloom Organic Gardens, California.
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    W. Eugene Smith, Nurse-Midwife Maude Callen.
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    Analia Saban, International Ladies Garment Workers Union, Made in USA, Clothing Tag.
  • Image of the piece
    Barbara Kruger, Untitled (Progress is Your Most Important Product).
  • Image of the piece
    Ian Davis, Files.
  • Image of the piece
    Margaret Bourke-White, Steel Lines, Fort Peck, Montana.
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    Richard Correll, Moving Timbers.
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    Aaron Douglas, Window Cleaning.
  • Image of the piece
    Renée Cox, Mother of Us All (from Queen Nanny of the Maroons).
  • Image of the piece
    Norman Rockwell, The County Agricultural Agent.
  • Image of the piece
    W. Eugene Smith, Nurse-Midwife Maude Callen.
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    Hank Willis Thomas, The Cotton Bowl.
  • Image of the piece
    Fairfield Porter, Anne, Lizzie and Katie.

Second-floor south galleries, including the Rohman Family Gallery, the Sarah Pearson Campbell Gallery, the Henning Family Gallery, and the Woods Family Gallery


Six galleries touching on themes of gender, place, resources, and politics provoke questions about what it means to work. Clocking In presents art that challenges expectations about who engages in particular types of work and what kinds of jobs are valorized.

Labor’s mental, physical, social, political, and economic effects are explored through works by Lewis W. Hine, Barbara Kruger, Fairfield Porter, Norman Rockwell, Analia Saban, and Hank Willis Thomas, among others.





Currently Closed Museum Hours and Accessibility Admission is Free