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The painting that started it all

On May 2, 1888, sixty-seven Lincoln community members met in the university chapel to form a fine arts society. Within months, the group audaciously presented its first exhibition, borrowing Karl Theodor von Piloty's twelve-by-eighteen-foot canvas Parable of the Wise and Foolish Virgins from the Metropolitan Museum of Art in New York.

So many people traveled to Lincoln to see the work, on view in the federal courtroom of the city’s post office building, that the superintendent of the Burlington Railroad scheduled additional trains throughout the state.

In the 1920s the Nebraska Art Association—now the Sheldon Art Association—began presenting living tableaux of famous paintings. This tradition lasted through the 1950s and was revisited in celebration of the group's eighty-fifth anniversary in 1973. That year, members recreated the composition of Parable of the Wise and Foolish Virgins, the painting that started it all.

The 1973 living tableau of Parable of the Wise and Foolish Virgins.

Karl Theodor von Piloty
Munich, Germany 1826–Munsing, Germany 1886
Parable of the Wise and Foolish Virgins
Oil on canvas, 1882
42 × 68 1/4 inches
Sheldon Museum of Art, Nebraska Art Association, gift of Mrs. William Haussner, N-147.1963